Different schools of painting in India
1. The Pahari school developed and flourished during 17th-19th centuries stretching from Jammu to Almora and Garhwal, in the sub-Himalayan India, through Himachal Pradesh, and each creating stark variations within the genre, ranging from bold intense Basohli Painting, originating from Basohli in Jammu and Kashmir, to the delicate and lyrical Kangra paintings, which became synonymous to the style before other schools of paintings developed, which reached its pinnacle with paintings of Radha and Krishna, inspired by Jayadev's Gita Govinda.
It gave birth to a new idiom in Indian painting, and grew out of the Mughal painting, though this was patronized mostly by the Rajput kings who ruled many parts of the region.
2.Madhubani painting has been done traditionally by the women of villages around the present town of Madhubani (the literal meaning of which is forests of honey) and other areas of Mithila. The painting was traditionally done on freshly plastered mud wall of huts, but now it is also done on cloth, hand-made paper and canvas.
As Madhubani painting has remained confined to a compact geographical area and the skills have been passed on through centuries, the content and the style have largely remained the same. Madhubani paintings also use two dimensional imagery, and the colors used are derived from plants. Ochre and lampblack are also used for reddish brown and black respectively.
Madhubani paintings mostly depict nature and Hindu religious motifs, and the themes generally revolve around Hindu deities like Krishna, Ram, Shiva, Durga, Lakshmi, and Saraswati. Natural objects like the sun, the moon, and religious plants like tulsi are also widely painted, along with scenes from the royal court and social events like weddings. Generally no space is left empty; the gaps are filled by paintings of flowers, animals, birds, and even geometric designs.
3.Manjushas are temple-shaped boxes, Containg 8 -Pillars.They are made of bamboo,jute and paper.They also contains Painting of Gods and Goddesses and Other Characters.These boxes are used in Bishahari puja -A festival Dedicated to Snake God,Celebrated in Bhagalpur,India.
4.Tanjore painting (Tamil: தஞ்சாவூர் ஓவியம், Thanjavur Oviyam) is an important form of classical South Indian painting native to the town of Thanjavur (anglicized as Tanjore) in Tamil Nadu, India. The art form dates back to about 1600 AD, a period when Nayakas of Tanjavur encouraged art—chiefly, classical dance and music—as well as literature both in Telugu and Tamil. Tanjore paintings are known for their surface richness, vivid colours and compact composition. Essentially serving as devotional icons, the themes of most of these paintings are Hindu gods and goddesses, and saints as well. Episodes from Hindu tradition are drawn upon as elaboration to the main figure or figures placed in the central section of the picture. Tanjore paintings are in fact panel paintings done on solid wood planks, and hence were also referred to as palagai padam (palagai = "wooden plank"; padam = "picture") in local parlance. In modern times, these paintings have become souvenirs during festive occasions in South India, pieces to decorate the walls, or collectors' items for art lovers.
It gave birth to a new idiom in Indian painting, and grew out of the Mughal painting, though this was patronized mostly by the Rajput kings who ruled many parts of the region.
2.Madhubani painting has been done traditionally by the women of villages around the present town of Madhubani (the literal meaning of which is forests of honey) and other areas of Mithila. The painting was traditionally done on freshly plastered mud wall of huts, but now it is also done on cloth, hand-made paper and canvas.
As Madhubani painting has remained confined to a compact geographical area and the skills have been passed on through centuries, the content and the style have largely remained the same. Madhubani paintings also use two dimensional imagery, and the colors used are derived from plants. Ochre and lampblack are also used for reddish brown and black respectively.
Madhubani paintings mostly depict nature and Hindu religious motifs, and the themes generally revolve around Hindu deities like Krishna, Ram, Shiva, Durga, Lakshmi, and Saraswati. Natural objects like the sun, the moon, and religious plants like tulsi are also widely painted, along with scenes from the royal court and social events like weddings. Generally no space is left empty; the gaps are filled by paintings of flowers, animals, birds, and even geometric designs.
3.Manjushas are temple-shaped boxes, Containg 8 -Pillars.They are made of bamboo,jute and paper.They also contains Painting of Gods and Goddesses and Other Characters.These boxes are used in Bishahari puja -A festival Dedicated to Snake God,Celebrated in Bhagalpur,India.
4.Tanjore painting (Tamil: தஞ்சாவூர் ஓவியம், Thanjavur Oviyam) is an important form of classical South Indian painting native to the town of Thanjavur (anglicized as Tanjore) in Tamil Nadu, India. The art form dates back to about 1600 AD, a period when Nayakas of Tanjavur encouraged art—chiefly, classical dance and music—as well as literature both in Telugu and Tamil. Tanjore paintings are known for their surface richness, vivid colours and compact composition. Essentially serving as devotional icons, the themes of most of these paintings are Hindu gods and goddesses, and saints as well. Episodes from Hindu tradition are drawn upon as elaboration to the main figure or figures placed in the central section of the picture. Tanjore paintings are in fact panel paintings done on solid wood planks, and hence were also referred to as palagai padam (palagai = "wooden plank"; padam = "picture") in local parlance. In modern times, these paintings have become souvenirs during festive occasions in South India, pieces to decorate the walls, or collectors' items for art lovers.
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